The bold and also the bald

Seth Rogen and Frederick Gordon-Levitt party in the Four Seasons. Summit's Take advantage of Friedman with Hoda Kotb Helmer Jonathan Levine and Will Reiser Anna Kendrick The Rx for Monday night's "50/50" premiere in the Ziegfeld in Gotham was laughter -- and a lot of it. Summit Entertainment's dark comedy, according to author-producer Will Reiser's fight with cancer, gave close friend Seth Rogen an opportunity to imagine themself without his curly locks. "I really shaved my mind in senior high school also it wasn't pretty. My looks got much worse," joked Rogen. "My style is not far better. The final factor I purchased would be a strap-on dildo yesterday." Reiser rapidly found his pal's aid, and added, "He wears rid of it, though." Pic's Frederick Gordon-Levitt described it was his second time breaking the shears to shave his mind. "I simply got done carrying this out really heavy movie known as 'The Lookout' and that i wanted to get away from that mind space and so i buzzed it," Gordon-Levitt stated from the 2007 pic. "I regretted it rapidly as my mind am cold immediately." Publish-preem, visitors filled the 4 Seasons Restaurant to have an very mellow party. "Saturday Evening Live" star Bill Hader overheard the shaved-mind question and stated to Gordon-Levitt, "C'mon, I am sure it did not look that bad. I must get it done however i have this huge dent during my mind. I'd seem like a 'Star Wars' character." "Today" host Hoda Kotb congratulated co-stars Anjelica Huston and Anna Kendrick, who wouldn't spill any beans around the approaching "Twilight" installment. Edward Norton talked with Hader, Rogen and the fiance, Lauren Burns, over cocktails and sushi. "Adding humor to this type of sensitive subject is very difficult," stated Norton. "However they managed to get work." Added Hader, "The finish just makes you need to smile." Contact the range newsroom at news@variety.com

David Z. Goodman dies at 81

David Zelag Goodman, who shared an Oscar nomination for your script to "Fanatics together with other OthersInch in addition to written "Monte Walsh," "Hay Dogs" and "Logan's Run" within a effective run inside the seventies, died Monday, Sept. 26, in Concord from the brain disorder referred to as progressive supranuclear palsy. He was 81.Goodman's work shown lengthy lasting: "Monte Walsh," starring Lee Marvin, was remade in 2003 just like a TNT telepic starring Tom Selleck Fly fishing rod Lurie's remake of Mike Peckinpah's "Hay Dogs" was released on friday together with a remake of "Logan's Run," to star Ryan Gosling, influences works at Warner Bros.Producer Zev Braun, who labored with Goodman for several years, known towards the film author as "a man who understood man's instinct, and also, since he understood man's instinct, he understood drama."Goodman needed a distinctive course with a career in Hollywood.Born in NY to immigrant Jewish parents who wanted him to become rabbi, Goodman examined inside a yeshiva. Eventually his interests switched for the secular world, however, which he acquired a B.A. in British from Queens College in NY after which it headed to Yale, where he examined drama.Goodman had his antiwar play "High Named Today" produced Off Broadway in 1954, when he was 24. The NY Times' Brooks Atkinson referred to as him an "original" and "gifted" author.Goodman's first effort in showbiz was the script for your Hammer-produced adventure film "Stranglers of Bombay" (1959). Next he labored in television, penning eight cases of "The Untouchables" and cases of "Combat!" together with a show referred to as "Mr. Broadway."He returned to bigscreen make use of the highly regarded as as 1970 comedy "Fanatics while others Others,Inch they, Renee Taylor and Ernest Bologna modified in the follow Taylor and Bologna. The identical year he co-composed the considerably acclaimed Western "Monte Walsh."In 1971 came the violent, questionable "Hay Dogs," which Goodman co-scripted with Peckinpah with various novel. Star Dustin Hoffman would remain a pal of Goodman's.Goodman scripted the 1974 mystery thriller "Guy around the Swing," starring High high cliff Robertson, as well as the 1975 remake of "Farewell, My Lovely," starring Robert Mitchum.He gained an effect along with his first work for balance sci-fi, "Logan's Run," in 1976. (Goodman was brought to the project after a number of other authors couldn't realize success, which he ultimately acquired sole credit for your script.)Goodman's strong decade ongoing with 1977's "March or Die," starring Gene Hackman and Catherine Deneuve, as well as the memorable thriller "Eyes of Laura Mars," they co-scripted with John Contractor while others.He then returned to television for just about any miniseries adaptation of Howard Fast's "Freedom Road."Goodman scripted "Fighting Back" and "Guy, Lady and Child" at the begining of eighties.Producer Braun mentioned that furthermore to their personal work, Goodman "had the capacity to put his finger on the problem in the script. As well as the best example was when Sherry Lansing introduced him straight into address problems inside the script for 'Fatal Attraction.' Goodman mentioned to Lansing in the Glenn Close character, 'You can't allow her to free! You have to kill her! Let's drown her!'"Goodman was missing almost every other movies produced for several years, but he and Braun co-composed "Cover," the story of Russian spy Sasha Litvinenko's poisoning, that's presently in pre-production.Goodman is managed to get by his wife, Marjorie, to whom he was married for 61 years a daughter, Kevis, a professor of British at UC Berkeley together with a sister. Contact Carmel Dagan at carmel.dagan@variety.com

Andy Rooney's Retirement Prompts Nostalgia, Jabs Among Viewers

Andy Rooney, who has been a fixture on CBS' 60 Minutes since 1978, is set to call it quits after this Sunday's broadcast.our editor recommendsAndy Rooney Ending Regular '60 Minutes' Segment The 92-year-old newsman will appear in a career retrospective interview with Morley Safer on Oct. 2, giving his final sign-off during a quintessential show-wrapping segment. Rooney is not likely to be replaced on the program. PHOTOS: The Faces of Broadcast and Cable News: Anderson Cooper, Katie Couric and More "There's nobody like Andy and there never will be," saidJeff Fager, CBS News chairman and 60 executive producer. "He'll hate hearing this, but he's an American original. His contributions to 60 Minutes are immeasurable; he's also a great friend." Viewers and fans have weighed in on Rooney's legacy with messages of appreciation, and a few light quips at his expense. HowardKurtz Never thought it'd happen: Andy Rooney steps down from 60 Minutes at age 92. What. A. Run. Justin Stangel Andy Rooney, 92, will make last appearance on '60 Minutes' this Sunday. America responds, Andy Rooney was still on "60 Minutes?" HankCrook I've always enjoyed those Andy Rooney bits on 60 Minutes. They don't make journalists like that anymore. The Comedy Couple Andy Rooney will leave "60 Minutes" at age 92. He plans to spend his time complaining about random objects in his room at the nursing home. Holly Suthers Loss for Journalism, what an icon Charlie Harper Breaking News: Mayan Calendar outlasts Andy Rooney. Tom Jicha Andy Rooney steps down from '60 Minutes,' which he said he would never do. Anyone doubt he was pushed? Fergusontx If you missed Mr. Rooney's work in the late 70's and early 80's, you missed a keen observationist who had an extraordinary ability to communicate. The past few years have been like watching a once great athlete who played a couple too many seasons. I choose to remember his great work. Allie Townsend Andy Rooney, might I suggest Twitter for all of your grumpy ranting needs? Miguel A. Gonzalez Andy Rooney of 60 Minutes fame will retire Sunday. His eyebrows, however, will continue their contract indefinitely. Jennifer Eddy Didn't know Andy Rooney was leaving 60 Min.He's an institution,will be sad to hear him sign off for last time, he's been on TV my whole life Related Topics CBS 60 Minutes

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Box Office Report: Brad Pitt's 'Moneyball' and Family Pic 'Dolphin Tale' in Close Race

Brad Pitt baseball drama Moneyball and family pic Dolphin Tale are in a close race at the weekend box office, making it difficult to call which movie will score the winning homerun.our editor recommendsDolphin Tale: Film ReviewAbduction: Film ReviewMoneyball: Toronto Review Early returns show both films grossing in the $20 million range for the weekend, although Moneyball is expected to win the the Friday race itself. But since family films often gain traction on Saturday and Sunday, Dolphin Tale -- from Alcon Entertainment and Warner Bros., the same team behind The Blind Side -- could pull ahead. Still, Sony's Moneyball is no slouch and could dig in. The film is drawing glowing notices, particularly for Pitt's performance, and is benefiting from strong interest among males and older females. PHOTOS: 'Moneyball' Premiere in Oakland The weekend's two other films -- Taylor Lautner thriller Abduction and Jason Statham-Robert DeNiro action pic Killer Elite -- will depend heavily on nighttime business, so early returns make predictions difficult. However, box office observers put weekend grosses for the two films at $10 million to $13 million, in line with pre-release expectations. Directed by Bennett Miller, Moneyball stars Brad Pitt as the real-life Billy Beane, the general manager of the Oakland A's who turned the franchise around despite the team's bleak financial situation. Moneyball, also starring Philip Seymour Hoffman, Robin Wright and Jonah Hill, is based on Michael Lewis' 2003 book of the same name and made its world premiere at the Toronto Film Festival. Dolphin Tale also boasts strong awareness and good reviews, and is tracking well with women and families. Directed by Charles Martin Smith, the feel-good film is based on a true story about a bottlenose dolphin rescued off the Florida Coast after her tail was injured. VIDEO: Taylor Lautner's 'Abudution' Premiere: What's Next for the 'Twilight' Actor? Alcon and Warner Bros. marketed the movie -- starring Harry Connick Jr., Ashley Judd and Morgan Freeman -- both to faith-based audiences and general moviegoers, as they did with Blind Side. The early strength of Dolphin Tale is another win for the family genre. Last weekend, Disney's 3D re-release of The Lion King topped the box office chart with a stellar $30.2 million opening. Lion King is expected to fall about 50% in its second outing. Lionsgate's Abduction is the clear choice among teen girls and younger women and could easily over-perform. In the action-thriller, directed by John Singleton, Lautner plays a teenager who learns his parents aren't who they say they are when he sees his picture on a missing children's website. The film, which is recieving poor reviews, also stars Lily Collins, Sigourney Weaver, Maria Bello and Freema Agyeman. Killer Elite is the first release from Tom Ortenberg's Open Road Films, the independent acquisitions and distribution company backed by AMC Entertainment and Regal Entertainment. Killer Elite is sparking plenty of interest among males, but will have to compete with Moneyball. The film also stars Clive Owen and was directed by Gary McKendry. Moneyball and Killer Elite aren't the only titles playing at the recent Toronto Film Festival to bow this weekend at the domestic box office: Relativity Media opens Gerard Butler action biopic Machine Gun Preacher in four theaters in NY and Los Angeles before expanding into 15 additional markets on Sept. 30. Relativity acquired U.S. distribution rights to Machine Gun Preacher from Lionsgate. Related Topics Brad Pitt Taylor Lautner Moneyball Dolphin Tale Killer Elite

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Variance nabs 'Elevate' rights

Variance Films has acquired U.S. theatrical rights to the basketball documentary "Elevate" and has set an opening for Oct. 21 in NY.Directed by Anne Buford, the film follows four teenagers from Senegal aiming to wind up with careers in the NBA.Variance announced the deal Friday. It will open "Elevate" in Los Angeles, Dallas and San Antonio on Nov. 4 and in Chicago, Houston, Washington DC and Oklahoma City on Nov. 11."Elveate," filmed over four years, documents the challenges the four Senegalese selected from by Seeds (Sports for Education and Economic Development in Senegal) in dealing with American culture, mastering English and adapting to aggressive American-style basketball. Pic was produced by Buford, Chiemi Karasawa, Mark Becker, and Victoria Yoffie. Contact Dave McNary at dave.mcnary@variety.com

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The Avengers assemble on Captain America Blu-ray

Captain America: The Very First Avengerheads by movie theaters later this season and does Marvel understand how to tempt punters right into a purchase? Do bears go # 2 in wooded areas?Watching Chris Pine's supersoldier kick Nazi butt is going to be a good enough draw for fans that do not salute the flag regularly (fun fact: the film did more theatrical business outdoors of America of computer did in america).However, Marvel can also be contacting The Avengers to put together to seal the offer. So while we are sure the feature commentary may be worth a listen and also the Marvel short is fun, it is the "exclusive sneak look in to the ultimate Superhero team, Marvel's The Avengers" which will have fans buzzing. Browse the trailer around the Marvel.com web site to see brief clips from the Set up Starts featurette.

Death of a Superhero

A Bavaria Film Intl. presentation of a Bavaria Pictures and Grand Pictures production in co-production with Picture Circle, Cinemendo/Trixter, CinePostproduction and Bavaria Film. (International sales: Bavaria Film Intl., Geiselgasteig, Germany.) Produced by Astrid Kahmke, Philipp Kreuzer, Michael Garland. Executive producers, Matthias Esche, Jan S. Kaiser, Anthony McCarten, Paul Donovan. Co-producers, Mark Porsche, Michael Coldewey, Christian Sommer. Directed by Ian FitzGibbon. Screenplay, Anthony McCarten, from his novel.With: Andy Serkis, Thomas Brodie-Sangster, Aisling Loftus, Michael McElhatton, Sharon Horgan. (English dialogue)Adolescence is often portrayed as a matter of life and death, but that's pretty much the case in helmer Ian FitzGibbon's coming-of-age-with-cancer romance "Death of a Superhero." Pic sidesteps cloying sentimentality and heavy-handedness with the help of a solid cast, led by Thomas Brodie-Sangster as a budding graphic novelist whose days may be numbered, but whose imagination fills the screen with macabre cartoons fueled by anger, frustration and an artistic soul. Mix of live-action and animation could attract a youth audience, but the pic's general appeal will lie in its honesty and touching performances. Adapted by screenwriter Andrew McCarten from his own novel, the film relocates the story from New Zealand to Dublin (owing to the involvement of Grand Pictures and the Irish Film Board) and has the virtues of a strong cast. But its chief onscreen innovation is the way it swings between toon and live-action characters, a daredevil trapeze act that keeps it from succumbing to mawkishness and helps to distract from an otherwise fairly rudimentary narrative. Donald (Brodie-Sangster), lank, pale and bald from chemo, imagines cartoon eruptions that feature his muscular, mute alter ego as well as his arch enemy, the Glove, a villain with syringes for fingers (his sexy, busty accomplice embodies a more typical teenage fantasy). Brodie-Sangster has a challenging role on his hands in that Donald is not an object of pity; he's funny and keeps things in perspective, except when his fuming anger gets the better of him, prompting the misbehavior that keeps his parents (Michael McElhatton, Sharon Horgan) on tenterhooks. As fine as McElhatton and Horgan are, they're overshadowed by two standouts in addition to Brodie-Sangster. One is Andy Serkis, who plays Dr. Adrian King, the unorthodox death therapist, or thanatologist, to whom Donald's parents bring their son and with whom he forms a bond. Serkis is something of a revelation, perhaps because his best-known roles have him disguised as something otherworldly or animalistic (Caesar in the recent "Rise of the Planet of the Apes," for instance, or Gollum in the "Lord of the Rings" trilogy), and here is very human indeed. FitzGibbon's other natural resource is the superb Aisling Loftus ("Oranges and Sunshine") as Shelly, a wry, acerbic teen who seems to be 16 going on 37 and gives Donald precisely what he needs: a reason to feel attractive and alive to someone other than his parents. Death of a Superhero" doesn't sugarcoat anything -- neither cancer nor the awkward, unpleasant ways people deal with it. It's a far cry from the broader comedy of the current "50/50," but there's a kinship between both films in their attempts to make cancer something other than a plot point or an ominous death sentence, and to acknowledge that people ordinarily deal with incipient catastrophe through a mix of unhappiness and laughter, graveyard humor and tears. In doing this, FitzGibbon ("Perrier's Bounty") has achieved something special; even a late scene, in which Donald's friends (with Dr. King as an accomplice) arrange for a prostitute to ensure that Donald doesn't die a virgin, is handled well. Much of the credit for this goes to Jessica Schwarz, playing one of the more sensitive hookers in recent cinema. Production values are good, although the music cues are occasionally ridiculous.Camera (color, HD), Tom Fahrmann; editor, Tony Cranstoun; production designer, Mark Geraghty; music, Marius Ruhland; costume designer, Kathy Strachan; sound (Dolby Digital 5.1), Ray Cross, Frank Heidbrink; sound designer/supervising sound editor, Christoph von Schonburg; re-recording mixer, Benjamin Rosenkind; visual effects/animation supervisor, Alessandro Cioffi; associate producers, Ailish McElmeel, Lukas Batthyany, Tilo Seiffert; casting, Ros Hubbard, Louise Kiely, Siegfried Wagner. Reviewed at Toronto Film Festival (Special Presentations), Sept.13, 2011. Running time: 96 MIN. Contact the Variety newsroom at news@variety.com

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Snoop Dogg, Warner Bros. TV Developing Family Sitcom

USA"Covert Affairs" USA Network has renewed veteran series Covert Affairs and Royal Pains, and picked up a second season of Necessary Roughness. All three series have received 16-episode orders for their new seasons. Covert Affairs will return for a third round, while Royal Pains' pickup will be its fourth. "We had an unprecedented number of original series on our air -- and every single one of them was great," said USA Network co-presidents Chris McCumber and Jeff Wachtel. "Our writers, directors and producers truly understand what it takes to create sustainable success. It's a rare and wonderful thing to announce the pick-up of our entire summer of programming." Covert Affairs stars Piper Perabo as young CIA operative Annie Walker, ranking as the top cable series on Tuesdays this summer among total viewers and the adults 25-54 demographic. Royal Pains, led by Mark Feuerstein -- who will be helming an episode -- stars as concierge doctor Dr. Hank Lawson. Guest stars for its winter return include Joanna Garcia, Wilmer Valderrama and Kyle Howard. Necessary Roughness, starring Callie Thorne, aired its season finale on Wednesday, averaging 5.9 million viewers. The renewals wrap up a successful summer for the cable network, which had eight scripted series airing this summer. The three shows join the network's other returning scripted series: Fairly Legal, White Collar, Burn Notice, In Plain Sight and Suits. Earlier this summer, USA picked up the Michael Ealy series, Common Law, which will debut next year. The network also ordered two comedy pilots in an effort to jump into the half-hour space, including one that could star Nathan Lane. RELATED: USA Network Tops Cable Competitors in Summer Ratings EXCLUSIVE: 'White Collar' Star to Make TV Directing Debut USA Network

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VIDEO: Watch the Homeland Series Premiere Now

Claire Danes Although Homeland does not premiere for pretty much three more days, you can view it on the internet now.Fall Preview: Obtain the lowdown about this season's must-see new showsThe suspense thriller stars Claire Danes as CIA officer Barbara Anderson, who's suspicious concerning the apple that brought to save the day of U.S. soldier Nicholas Brody (Damian Lewis) ten years after he went missing in Baghdad. Mandy Patinkin plays Carrie's boss and mentor, Saul, and Morena Baccarin plays Brody's wife.Watch the entire episode: Homeland premieres Sunday, March. 2 at 10/9c on Showtime.

Emmys Poll: Who's Your Pick to Win Lead Drama Actor?

Jon Hamm With three-time defending champ Bryan Cranston (Breaking Bad) out of the picture, will Jon Hamm finally win the Best Actor in a Drama Emmy that's eluded him?Emmys poll: Who's your pick to win lead drama actress?The Mad Men star, who earned his fourth nomination, has his best chance yet to win his first statuette thanks to Cranston's absence and a killer tape in "The Suitcase," but he's not the only nominee who could be considered overdue. Michael C. Hall (Dexter) is bidding for the fourth time as well, while Hugh Laurie (House) is on his sixth nod.Then there's first-time nominee Timothy Olyphant (Justified), returning nominee Kyle Chandler (Friday Night Lights) and Boardwalk Empire's Steve Buscemi, who already won the Golden Globe and SAG.Who's your pick to win? Vote below.The 63rd Annual Primetime Emmy Awards airs Sunday, Sept. 18 at 8/7c on Fox. Who do you think should win the Emmy for Oustanding Lead Actror in a Drama Series? Steve Buscemi, Boardwalk Empire Kyle Chandler, Friday Night Lights Michael C. Hall, Dexter Jon Hamm Mad Men Hugh Laurie, House Timothy Olyphant, Justified vote view results

Zipper Bros., Exclusive Media ink doc pact

Exclusive Media Group and documentary producer Zipper Bros. Films have signed a preliminary look deal to develop, finance and convey around two ''social purpose'' documentary features yearly.Exclusive Media and Zipper Bros. Films have became a member of already on ''Undefeated,'' the arrival doc in regards to the aspirations from the inner-city Memphis football team. The film was acquired with the Weinstein Company taken at SXSW, where ''Undefeated'' had its world premiere.The movies will probably be produced under Spitfire Pictures, Exclusive's documentary label. Companies made the joint announcement Monday within the Toronto Film Festival, where ''Undefeated'' is showing.''Undefeated'' is directed by Serta Lindsay and T.J. Martin and produced by Exclusive's Spitfire label and Zipper Bros in colaboration with Level 22 and Five Smooth Gems Prods.''After an amazing experience dealing with Exclusive in creating Undefeated, Zipper Bros can be very excited to develop this relationship and together bring provocative and unforeseen tales for the silver screen,'' mentioned Zipper leader Take advantage of Zipper. Contact Dork McNary at dork.mcnary@variety.com

David Theune Goes Goofy-Creepy for Stanley Steemer

In one recent Stanley Steemer commercial, a carpet cleaner, played by David Theune, earnestly recounts how "awesome" it was to clean up after an alpaca. In another, he urges an intimidated customer not to "coddle" the newly shined floor "like a young Theodore Roosevelt." But perhaps the most vivid one features him sobbing over a rug that has been dumped at the side of the road. "I could have saved this one," he says, before throwing his arms up in futility and despair. Theune has taken goofy-creepy to new heights. He's turned it into an art form.The actor says he had a wonderful time doing these spots. So far, 13 have been shot, five this year and eight last year, with each series of ads taking three days to complete. Though they are scripted, Theune was given lots of leeway in trying out comic ideas. "It was the first commercial audition where I was allowed to improvise," he says. A major challenge was simply not cracking up, he adds, but more daunting was the memorization, made more difficult by not knowing in what order the ads would be shot.Theune felt additional pressure because he had never done anything on this scale, coupled with the ads' national visibility. As spokesman for the company, he felt an enormous sense of responsibility to the client. Prior to Stanley Steemer, Theune had appeared in one TV commercial. Before moving to Los Angeles two and a half years ago, the Wisconsin native's credits were largely in community theater, short sketches, and dramatic re-enactments, such as one for the Discovery Channel involving postpartum depression. But his heart was in comedy.Even as a youngster, Theune knew he wanted to be a comedian. At the University of WisconsinMilwaukee, he majored in theater. But improvisation changed his life. During his final semester and continuing for eight years, he took improv classes at ComedySportz. Now he frequently appears at Upright Citizens Brigade Theatre and iO West."Improv has helped me as an actor in that it allows me to be comfortable rolling with new ideas that the director may have," he explains. "The confidence I have knowing that I've had to create scenes from scratch in front of a live audience allows me to calm down a bit when I realize that in the acting world, all the lines are already there for me. I just have to play the part."Shortly after arriving in L.A., Theune landed commercial representation with the Reign Agency, his first agency. As thrilled as he was to get the Stanley Steemer gig, he was a little worried about being pigeonholed by the commercials and finding his casting opportunities limited. "I talked to my agent about this," he says, "but she assured me there was nothing to worry about as long as the commercials were good."The spots have not yet opened doors for him, he reports. "If they have, I'm certainly not aware of it," Theune says, "though people comment to me about the ads." Still, he no longer needs a day job thanks to Stanley Steemer"and the fact that my wife is an E.R. nurse."Watch "I Could Have Saved This One" below: To watch more Stanley Steemer spots, visit David Theune's YouTube channel.

Josh Hartnett about the Samurai Western Mash-Up Bunraku and Existence Outdoors of Hollywood

It’s no coincidence that Josh Hartnett continues to be from the power grid, as they say, within the years following his newest string of mainstream turns (The Black Dahlia, Resurrecting the Champion, thirty days of Evening) after investing ten years in Hollywood, the 33-year-old informs Movieline, other interests and challenges known as. “I’ve been testing out lot of different things,” Hartnett described throughout a talk about his latest art film endeavor, Guy Moshe’s hyper-stylized Bunraku. “I began e-commerce so youthful, I type of was raised inside it… I’m just living an extremely unique existence, I believe, and that i appreciate it.” Hartnett yearned for edgier and more personal fare, and Bunraku certainly will do the job. Named to have an obscure type of Japanese theater typically carried out by shadowy black-clad puppet masters, Bunraku unapologetically mashes genres through and through, from the tale of two drifters bent on shared revenge (Hartnett’s stoic cowboy and Japanese rock star Gackt as his samurai counterpart) towards the visual flair around the globe of Bunraku — part paper sculpture, part CG fantasy-Western, part Jerome Robbins musical. Ron Perlman’s contemplative warlord plays foil to both Hartnett and Gackt, while Woodsy Harrelson, Demi Moore, Kevin McKidd, and Shun Sugata complete the cast of colorful figures about the periphery. Movieline spoke using the actor concerning the uncompromising vision of Bunraku, its lengthy journey to theaters, and just how his concentrate his career as well as in existence has developed through the years. Bunraku is a nice daring exercise by itself how was the idea of it, using its theatricality and it is genre-bending and visual style, initially pitched for you? Well, Guy [Moshe] found me in New You are able to and sitting lower beside me before I even browse the script to describe the pictures and explain exactly what the fight sequences would entail, also it was obvious in my experience he were built with a real vision for that project which he wasn’t likely to compromise onto it. He'd switched lower a studio who wanted to create a different version of the film which was rather less stagey, and that he just couldn’t view it this way. He wanted to get it done by doing this. And That I respected that. I simply ultimately put my belief in the truth that he would make a move unique. I recieve tired of seeing exactly the same couple of kinds of movies emerge constantly, I like to become associated with filmmakers who want to accomplish something unique, new things. And guy certainly went for your within this situation. I believe he drawn them back. Like a artist, you devote your time and effort with this particular project and shot this 3 years ago. You pointed out improving Guy’s vision and disinclination to compromise, but how can you then experience the trade-from the film then taking a little longer to escape to audiences? Well, that's the trade-off. Should you’re only in the commercial to become observed in whatever’s being released, you don’t worry about, I suppose, the director’s unique vision, you'll be able to do individuals types of movies constantly and also you’ll be observed in precisely the time the galleries put down and allot for your release. A movie such as this takes lots of, you realize, inter-machinations for this to determine release. He’s overcome a great deal throughout causeing this to be film and that i’m proud that's really is being released. It’s been difficult for him. And also you know, I don’t really take that into account after i read something or after i meet someone. I'd fascination with individuals to view it and like it, but more it’s about creating something intriguing and new and finally individuals will view it and like it. Initially when i first discover the project I had been instantly intrigued through the title, because Japanese bunraku puppet theater is really rarely carried out stateside. People here most likely don’t have a idea of what it's. How can you think the muse drawn from traditional bunraku theater continues to be converted in to the film? For me personally, my undertake that's that Guy wanted the crowd to keep yourself informed it wasn’t happening inside a world that is available physically for all of us. What bunraku puppetry is, is puppets on the stage using the puppet operator outfitted in black, carrying out these melodramas which parables and comedies. It’s to date outdoors from the arena of reality you know quickly the softball bat that you simply’re safe. You don’t need to bother about whether maybe it's a possibility. You are able to switch off that mechanism for the reason that a part of your mind, it’s not going to take place. You simply type of relax watching the storyline for what it's, it clarifies the storyline a little. Which’s things i think he’s doing here. He’s not pretending this really is reality, he’s allowing you to see behind the curtain, for insufficient a much better metaphor. It also offers the archetypes that people’re acquainted with also it borrows so much from different film genres that people have started to fully understand, so you will find certain elements that you could really wrap the mind around. Talking about individuals archetypes, you and also Gackt play figures associated with this lone gunslinger type of character that’s show up with Western mythology however in samurai lore, which causes it to be interesting to determine where individuals two cultures meet in this storytelling sphere. How does one describe your character and what inspires him particularly? He remained by himself in a very youthful age he manages to lose his father, manages to lose his mother, and doesn’t know much about either of these. We produced a backstory for him - he’s elevated by traveling gypsy circus folk, so when he discovers in a certain age what went down to his biological father, to his parents, he sets on a training course of revenge. I've found the guy was written actively opaque and that i enjoy that. There’s nothing, you don’t have any backstory on him, also it’s more enjoyable to type of watch his a reaction to our planet and just how he pummels his way through it. You don’t know anything about him. You realize much more about Yoshi, clearly, but my character is permitted to be more fluid and a bit more wacky, should you don’t know anything about him. I acquired to experience by using it, while he didn’t genuinely have any weak points within the original script. I acquired to determine what perform. I made him scared of levels, someone who doesn’t prefer to reveal anything, and lives actively hidden, lower towards the mitts. We did lots of focus on the costume. He’s constantly pushing outward he doesn’t want anybody near to him. For me personally it’s an enjoyable experience to simply begin with scratch having a character. There aren’t many cues into who he's, so let’s simply make something up that’s more creative. You’ve stated that in a certain reason for your job you made the decision you took it a far more artistic route inside your film options, and that i’m curious regarding how, within the last couple of years, individuals options have developed compared to in which you started in film. Did individuals options refocus you when it comes to your method of your job? I’d always aspired to do films which were a little more about the advantage… with a few glaring exceptions. I just read lots of material however i also provide been writing lot of different shorts and such things as that, tiny problems in some places, and creating - I began a production company - i perform a many things that aren’t involved with e-commerce. And So I just feel totally lucky to have the ability to take part in unique bits of film which i think have legs which I believe individuals will react to. And That I don’t know, I suppose my primary concentrate existence has moved a little. However in film it’s been exactly the same. I’m just attempting to make something which I’m likely to be thinking about seeing, something which’s new. I don’t wish to cheat the crowd. I would like these phones think a bit. You realize, I love challenging films, and so i reckon that’s reflected with what I select to operate on. An amount you have to say is the brand new focus of the existence at this time? [Laughs] Well, that’s the part I don’t need to do interviews about! No, I’ve been testing out lot of different things. I began e-commerce so youthful, I type of was raised inside it, since I had been 18. I don’t know. I’m just living an extremely unique existence, I believe, and that i appreciate it. I've got a large amount of buddies who aren’t within this industry and My home is New You are able to. I’m more just active in the arts and music compared to film people, so my existence is type of structured for the reason that way instead of those who are in Hollywood taking conferences every single day. I don’t know — it’s only a different approach, I suppose. Bunraku can be obtained now on VOD and hits choose theaters on September 30.

Fox Entertainment Chief Kevin Reilly to Give MIPCOM Keynote

PARIS - Fox's president of Entertainment Kevin Reillywill teach MIPCOM attendees how to break the rules of the industry with original hit shows when he gives a keynote address at this year's content market, MIPCOM organizers Reed MIDEM announced on Tuesday.our editor recommendsDialogue: Kevin Reilly, Fox Entertainment president Reilly will talk about developing and cultivating successful TV series and his experience launching world phenomenon Gleeat Fox after a long career of critically acclaimed series under his belt including The Sopranos, ER, The Officeand The Biggest Loseramong others. Reilly's talk is part of this year's MIPCOM Media Mastermind series of presentations and the Fox boss will also participate in the Art of Television conference track. "Part of what I hope to do here is to discuss how to be mindful of the rules, but not fearful of breaking them. In this business, you need to know how to break the fundamentals and encourage a creator to go to the edge," Reilly said of his MIPCOM participation, adding: "Some of the best work comes when we break the rules." The 27th edition of MIPCOM will run from Oct. 3 - 6 in Cannes. Related Topics Glee International The Office The Sopranos

Sons of Anarchy Season 4: Is SAMCRO Falling Apart?

Charlie Hunnam, Sons of Anarchy A lot can change in 14 months. And for the members of the motorcycle club at the heart of FX's Sons of Anarchy, the time that has passed between seasons may spell the end of SAMCRO forever.Fall Preview: Get scoop on all your favorite returning showsThe end of Season 3 found Jax (Charlie Hunnam), Clay (Ron Perlman) and several other club members heading to prison to serve their plea deal sentence. Though the Season 4 premiere (Tuesday, 10/9c, FX) opens with the club's year-later release, they emerge changed men. And, no, we're not just talking about Jax's haircut."Jax has had a lot of time to think about the last three years of his life," creator and executive producer Kurt Sutter tells TVGuide.com. "He is perhaps a guy that thinks too deeply for this life.I think that becomes clear this season in terms of where his goals are and what his plan is."Without spoiling too much, Sutter says the plan is basically to ensure that Jax and his Old Lady, Tara (Maggie Siff), are able to escape Charming and give their newly expanded family a shot at a non-outlaw future. That effort will be complicated by the fact that Tara has a pile of letters written by Jax's father that could implicate Clay and Jax's mother, Gemma (Katey Sagal), in the death of Jax's father.Why Sons of Anarchy boss Kurt Sutter quit TwitterJax's potential exit from SAMCRO is also hindered by his respect for the brotherhood. "There is a part of him that at least wants to leave club whole," Sutter says. "He doesn't want to leave the club in chaos nor does he want to bail on the club like he believes his father has bailed on the club. Jax is a little bit of an idealist and it's probably his tragic flaw. He has these ideals that he strives for that ultimately are antithetical to the lifestyle. It's hard for things to work out OK."Surprisingly, Jax's plans don't meet instant resistance from Clay. But that's only because Clay's increasingly debilitating arthritis has him mulling his own SAMCRO endgame. "There is that sense of, 'F*** man, I've given my life to this organization, and I'm basically left with bad hands, an empty bank account and a 20-page rap sheet,'" Sutter says. "[Clay] really sees the finish line now and he doesn't ... want to be sick and miserable, sitting at the other end of that table with really nothing to show for it. He's taking steps so that doesn't happen."One of those steps involves taking on new business that certain members believe could doom the club forever. "Everyone will have a strong point of view about where they're going and leadership will be tested," Sutter says. "Trust and bonds will be tested."Sons of Anarchy exclusive: Rockmond Dunbar is the new sheriff in townBut that won't necessarily deter Clay. "I don't think he really worries so much about the consequences," Sutter says. "It's sort of that military thing, which is you go in and you do your job and you can't get attached to the casualties. Quite honestly, it's part of why he's a good leader, because he is able to make those decisions based on goals rather than perhaps the ramifications."Unlike seasons past, however, Clay's decisions won't be overlooked by local law enforcement. With former sheriff Unser (Datyon Callie) now sidelined with his cancer, SAMCRO must learn to maneuver around Charming's new lawman, Eli Roosevelt (Rockmond Dunbar). But Sutter hints that the new sheriff might not be as uncompromising as he first seems."[He] knows that gangs aren't going away, that they're a product of this society and that you ultimately have to figure out how to live with these guys," Sutter says. "The truth is that all these clubs have to figure out how to carve out the relationship with law enforcement so they're not killing each other and innocents don't get caught in the crossfire."And crossfire there will be, which Sutter says may ultimately ruin Jax's plans. "His hand is going to be forced much sooner and much more brutally than he had ever imagined," he teases.Sons of Anarchy's fourth season premieres Tuesday at 10/9c on FX. Watch the first four minutes of the premiere below: